The work on my cycles evolves over the years through an interplay of free and commissioned works, book and exhibition projects.
For me, a vintage print is more a form of publication than an object, and my exhibitions are intended more as an extended form of publication. At the same time, a photograph in a newspaper is for me more of an artistic object that becomes visible to a mass audience.
Photography is communication, documentation and object at the same time. The different forms of appearance change the perspectives and impressions of the respective photography and thus also allow for an expansion of the possibilities of knowledge. Furthermore, the free handling of the form of publication also leads to a heterogeneous audience, which I prefer and appreciate very much.